Drawing fantastics; delighting inside the slits of light symphonic – the curt radicals of Tara Beier never constraint from the sureness of sight. The grating visuals of daily morass oozes out of the depths of her lyrical expressions.
Dull to no other touch and aesthetically inquisitive to the light, Tara embarks on a trend of motions.
Round and round, upside down, ‘Caged Man’ rigorous in spite, never tells of credibility nor predictions of this world.
There’s nothing or a better way to describe Tara’s latest.
And that’s where her work lives to full flight, as it touches with a dainty frivolity, but is gigantic in its majesty and understated intentions.
New album out on MANIMAL RECORDS, February 2020.